Nobody Home: Writing, Buddhism, And Living In Places
(eBook)

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Published
Trinity University Press, 2014.
ISBN
9781595342522
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Gary Snyder., Gary Snyder|AUTHOR., & Julia Martin|AUTHOR. (2014). Nobody Home: Writing, Buddhism, And Living In Places . Trinity University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Gary Snyder, Gary Snyder|AUTHOR and Julia Martin|AUTHOR. 2014. Nobody Home: Writing, Buddhism, And Living In Places. Trinity University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Gary Snyder, Gary Snyder|AUTHOR and Julia Martin|AUTHOR. Nobody Home: Writing, Buddhism, And Living In Places Trinity University Press, 2014.

MLA Citation, 9th Edition (style guide)

Gary Snyder, Gary Snyder|AUTHOR, and Julia Martin|AUTHOR. Nobody Home: Writing, Buddhism, And Living In Places Trinity University Press, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID8c134135-b13c-56fc-266a-99f96ce80ce3-eng
Full titlenobody home writing buddhism and living in places
Authorsnyder gary
Grouping Categorybook
Last Update2024-06-04 19:04:56PM
Last Indexed2024-06-22 00:29:13AM

Book Cover Information

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First LoadedDec 18, 2023
Last UsedJun 20, 2024

Hoopla Extract Information

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    [synopsis] => In this thoughtful, affectionate collection of interviews and letters spanning three decades, beloved poet Gary Snyder talks with South African writer and scholar Julia Martin. Over this period many things changed decisively-globally, locally, and in their personal lives-and these changing conditions provide the back story for a long conversation. It begins in the early 1980s as an intellectual exchange between an earnest graduate student and a generous distinguished writer, and becomes a long-distance friendship and an exploration of spiritual practice. At the project's heart is Snyder's understanding of Buddhism. Again and again, the conversations return to an explication of the teachings. Snyder's characteristic approach is to articulate a direct experience of Buddhist practice rather than any kind of abstract philosophy. In the version he describes here, this practice finds expression not primarily as an Asian import or a monastic ideal, but in the specificities of a householder's life as lived creatively in a particular location at a particular moment in history. This means that whatever "topic" a dialogue explores, there is a sense that all of it is about practice-the spiritual-social practice of a contemporary poet.
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