The Goshawk
(eAudiobook)

Book Cover
Published
Blackstone Publishing, 2015.
ISBN
9781982490034
Status
Available Online

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Physical Description
4h 58m 0s
Format
eAudiobook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

T. H. White., T. H. White|AUTHOR., & Simon Vance|READER. (2015). The Goshawk . Blackstone Publishing.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

T. H. White, T. H. White|AUTHOR and Simon Vance|READER. 2015. The Goshawk. Blackstone Publishing.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

T. H. White, T. H. White|AUTHOR and Simon Vance|READER. The Goshawk Blackstone Publishing, 2015.

MLA Citation, 9th Edition (style guide)

T. H. White, T. H. White|AUTHOR, and Simon Vance|READER. The Goshawk Blackstone Publishing, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID70e723f5-4187-7be6-9157-27866117ed29-eng
Full titlegoshawk
Authorwhite t h
Grouping Categorybook
Last Update2024-05-15 20:01:03PM
Last Indexed2024-05-31 23:36:24PM

Book Cover Information

Image Sourcehoopla
First LoadedMay 14, 2024
Last UsedMay 14, 2024

Hoopla Extract Information

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    [synopsis] => The predecessor to Helen Macdonald's H Is for Hawk, T. H. White's nature-writing classic, The Goshawk, asks the age-old question. What is it that binds human beings to other animals? White, author of The Once and Future King and Mistress Masham's Repose, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence-"the bird reverted to a feral state"-seized his imagination, and, White later wrote, "A longing came to my mind that I should be able to do this myself. The word 'feral' has a kind of magical potency which allied itself to two other words, 'ferocious' and 'free.'" Immediately White wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and Gos was free, and White had no idea how to break him in beyond the ancient (and, as it happened, long superseded) practice of depriving him of sleep, which meant that he, White, also went without rest. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love.

White kept a daybook describing his volatile relationship with Gos-at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became The Goshawk, one of modern literature's most memorable and surprising encounters with the wilderness-as it exists both within us and without.
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