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From the Publisher: Written to be read aloud by two voices-sometimes alternating, sometimes simultaneous-here is a collection of irresistible poems that celebrate the insect world, from the short life of the mayfly to the love song of the book louse. Funny, sad, loud, and quiet, each of these poems resounds with a booming, boisterous, joyful noise. In this remarkable volume of poetry for two voices, Paul Fleischman verbally re-creates the "Booming/boisterious/joyful...

When hospitalized for her clinical depression, Whimsy connects with a boy named Faerry, who also suffers from the traumatic loss of a sibling, and together they work to unearth buried memories and battle the fantastical physical embodiment of their depression.

A collection of poetry in which the author draws from ordinary people and events for subject matter.

"Who says words need to be concrete? This collection shapes poems in surprising and delightful ways. Concrete poetry is a perennially popular poetic form because they are fun to look at. But by using the arrangement of the words on the page to convey the meaning of the poem, concrete or shape poems are also easy to write! From the author of the incredibly inventive Lemonade: And Other Poems Squeezed from a Single Word comes another clever collection...

"A book of elegy, loss, and what binds us to life, by a towering poetic talent. "We sleep long, / if not sound," Young writes early on in this exquisite gathering of poems, "Till the end/ we sing / into the wind." In scenes and settings that circle family and the generations in the American South--one poem, "Kith," exploring that strange bedfellow of "kin"--the speaker and his young son wander among the stones of their ancestors. "Like heat he seeks...

A collection of traditional and contemporary poems covering a wide range of topics focusing on the African-American experience.

"Such is the elegant simplicity - a whole poem in ten words, vibrating with image and emotion - of the best-selling Russian poet Vera Pavlova. The one hundred poems in this book, her first full-length volume in English, all have the same salty immediacy, as if spoken by a woman who feels that, as the title poem concludes, "If there was nothing to regret, / there was nothing to desire, "" "Pavlova's economy and directness make her delightfully accessible...