Summary of Danyel Smith's Shine Bright
(eBook)

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Author
Published
IRB, 2022.
ISBN
9798822511095
Status
Available Online

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Format
eBook
Language
English

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APA Citation, 7th Edition (style guide)

IRB Media., & IRB Media|AUTHOR. (2022). Summary of Danyel Smith's Shine Bright . IRB.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

IRB Media and IRB Media|AUTHOR. 2022. Summary of Danyel Smith's Shine Bright. IRB.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

IRB Media and IRB Media|AUTHOR. Summary of Danyel Smith's Shine Bright IRB, 2022.

MLA Citation, 9th Edition (style guide)

IRB Media, and IRB Media|AUTHOR. Summary of Danyel Smith's Shine Bright IRB, 2022.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDa7dde322-8b56-d62c-7d2a-1633a10053fd-eng
Full titlesummary of danyel smiths shine bright
Authormedia irb
Grouping Categorybook
Last Update2024-05-15 20:01:03PM
Last Indexed2024-06-15 01:17:41AM

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Image Sourcehoopla
First LoadedDec 18, 2023
Last UsedJun 13, 2024

Hoopla Extract Information

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#1 In the year 2000, if you walked into the lobby restaurant of the Rihga Royal Hotel in Midtown Manhattan, you might have run into the most famous and hardest working people in the business of music. It was there that I met singer-songwriter Gerald Levert, and his father, Eddie Levert, of the O'Jays.

#2 The song “Exhale” (Shoop Shoop) from the soundtrack of the film “Waiting to Exhale” was written and produced by Kenneth Babyface Edmonds, and was performed by Whitney Houston. It was nominated for Song of the Year at the thirty-ninth annual Grammys.

#3 The music industry is a very mean business. It can be difficult to attend these types of events, as you never know what might happen. You have to be in the flow to enjoy them.

#4 Segregation in music is just as severe as it is in life. The radio and retail industries enforce white-made music as the main, while all other recorded music is subordinate and not as impactful.
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