William Shakespeare

Blood and Revenge-- Titus Andronicus is by far Shakespeare's most violent play. Set in the later days of the Roman empire it follows a fictional succession to the throne. The play follows Titus, a great Roman general, who is thrown into one bad situation after another. Much blood flows and a cycle of revenge ensues and tragedy abounds. Let not your sorrow die, though I am dead. Tut, I have done a thousand dreadful things As willingly as one would...

"Giorgio Melchiori offers a fresh approach to the text of The Second Part of King Henry IV, which he sees as an unplanned sequel to the First Part, itself a 'remake' of an old, non-Shakespearean play. The Second Part deliberately exploits the popular success of Sir John Falstaff, introduced in Part One; the resulting rich humour gives a comic dimension to the play which makes it a unique blend of history, Morality play and comedy. Among modern editions...

The language of Shakespeare's Sonnets, like that of poetry in general, is both highly compressed and highly structured. While most often discussed in terms of its images and its metrical and other formal structures, the language of the Sonnets, like that of Shakespeare's plays, also repays close attention to such basic linguistic elements as words, word order, and sentence structure. Shakespeare's words: Because Shakespeare's sonnets were written...

Rome is a city divided, nobility and common-people locked in mutual suspicion. Coriolanus, is Rome's greatest soldier, but his proud refusal to accommodate himself to the demands of the plebeians leads to banishment and death.

While King Henry's England is threatened by rebellion, the king's scapegrace son Hal haunts the taverns of London, his companions a crew of rogues and thieves led by the dissolute knight, Sir John Falstaff. The Earl of Northumber and his fiery son Hotspur scheme to overthrow the crown. Can Hall be brought to a sense of duty as Prince of Wales?